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All Roses are Red, All Birds are Blue

Ina Jang

February 25 – April 12, 2015

Ina Jang ,

Ina Jang

Open, 2013

Chromogenic print

20h x 28w in

1/5

IJ001_DUPLICATED_e54316138003f11f4ea74c3aba87a799

Ina Jang ,

Ina Jang

A Walker, 2013

Chromogenic print

28.50h x 40w in

1/3

IJ002

Ina Jang ,

Ina Jang

A Green Dress, 2013

Chromogenic print

14.25h x 20w in

1/5

IJ003

Ina Jang ,

Ina Jang

Preening, 2013

Chromogenic print

14.25h x 20w in

2/5

IJ004

Ina Jang ,

Ina Jang

Blue Shoes, 2013

Chromogenic print

20h x 28w in

1/5

IJ005

Ina Jang ,

Ina Jang

Oblique, 2013

Chromogenic print

18.50h x 26w in

1/5

IJ006

Ina Jang ,

Ina Jang

A Walker, 2013

Chromogenic print

28.50h x 40w in

2/3

IJ007

Ina Jang ,

Ina Jang

a woodear, 2014

Chromogenic Print

20h x 13.50w in

Edition of 5

IJ008

Ina Jang ,

Ina Jang

a corner, 2014

Chromogenic Print

15h x 20w in

Edition of 5

IJ009

Ina Jang ,

Ina Jang

a garden, 2015

Chromogenic Print

20h x 13.50w in

Edition of 5

IJ010

Ina Jang ,

Ina Jang

an apple, 2014

Chromogenic Print

20h x 15w in

Edition of 5

IJ011

Ina Jang ,

Ina Jang

a celloface, 2014

Chromogenic Print

24h x 16w in

Edition of 5

IJ012

Ina Jang ,

Ina Jang

a stranger, 2014

Chromogenic Print

24h x 16w in

Edition of 5

IJ013

Ina Jang ,

Ina Jang

a blue ribbon, 2014

Chromogenic Print

24h x 17w in

Edition 1 of 5

IJ014

Ina Jang ,

Ina Jang

a sky, 2013

Chromogenic Print

20h x 30w in

Edition of 5

IJ015

Ina Jang ,

Ina Jang

a desert, 2014

Chromogenic Print

20h x 30w in

Edition of 5

IJ016


Foley Gallery is delighted to present photographer Ina Jang’s first New York solo exhibition, all roses are red, all birds are blue.

Ina Jang creates work that is both playful and poetic. Many of her images start off with figures that become obscured in their surreal, hyper-stimulated environments. Her use of muted colors and surfaces creates a complex and multidimensional world in which reality and fiction are intertwined.

Jang says, "I make images that are minimal and two-dimensional by layering people, places and things to precisely execute ideas, but with the intention of discarding information. As I want the ideas to be tangible, the process becomes rigorously physical and related to my personal experience in terms of making photographs; it often contains cutting, gluing and pasting mundane objects from real life, such as paper and cotton balls. The photographs are often figurative and unidentified, casting a suspicion upon the photograph’s agenda. I allow the viewers to question whether they are truly subjects or merely objects. I investigate poetic and surreal relationships among things, places and womanhood. Peeling an apple at once without stopping in the middle, or looking at a pyramid from the sky in a small propeller plane...these are things experienced in real life but still manage to stay distant from who I am. "

Jang will be collaborating with the artist, Karen Cho, to create Coveted; a site specific window installation in our storefront, combining real life artifacts from her photography sets with Cho’s hand made vessels.

Jang was born in South Korea in 1982 and currently lives and works in New York. She graduated from The School of Visual Arts in New York with a Masters in Fashion Photography in 2012. Past exhibitions include the Empty Quarter in Dubai, the New York Photo Festival and the Humble Arts Foundation. Jang’s work has been published in The New York Times Magazine, Dear Dave Magazine, the British Journal of Photography, and Foam International Photography Magazine, amongst others.

All Roses Are Red, All Birds Are Blue will remain on view through April 12th.  Foley Gallery is located at 59 Orchard Street and is open Wednesday – Sunday, 12 – 6pm.  To request images; please contact the gallery at 212.244.9081 or info@foleygallery.com.