Skip to content

in the precipice

Karen Margolis

October 16 – November 17, 2019

Karen Margolis, Paris, 2019

Karen Margolis

Paris, 2019

Cotton covered wire, acrylic, annealed wire, maps, thread

16h x 9w in

KM024

$ 3,000.00

Karen Margolis, Miami, 2019

Karen Margolis

Miami, 2019

cotton covered wire, acrylic, annealed wire, maps, thread

16h x 13w x 19d in

KM025

$ 3,000.00

Karen Margolis, Farouche, 2019

Karen Margolis

Farouche, 2019

Watercolor, gouache, maps

14h x 11w in

KM026

$ 3,200.00

Karen Margolis, Oblique, 2014

Karen Margolis

Oblique, 2014

cotton covered wire, acrylic, annealed wire

28h x 10w in

KM023

$ 4,000.00

Karen Margolis, New York, 2019

Karen Margolis

New York, 2019

Cotton covered wire, acrylic, annealed wire, maps, thread

15h x 12w in

KM022

$ 3,000.00

Karen Margolis, Scattered Reflections, 2017

Karen Margolis

Scattered Reflections, 2017

Watercolor, Gouache, Thread, Map Fragments on Abaca

14h x 11w in

KM004

$ 3,200.00

Karen Margolis, Breach, 2019

Karen Margolis

Breach, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM020

$ 7,000.00

Karen Margolis ,

Karen Margolis

Querulous, 2016

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM006

Karen Margolis ,

Karen Margolis

Cathexis, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM008

Karen Margolis ,

Karen Margolis

Pending, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM009

Karen Margolis ,

Karen Margolis

Splat, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM010

Karen Margolis ,

Karen Margolis

The Way is a Void I, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

14h x 11w in

KM011

Karen Margolis ,

Karen Margolis

The Way is a Void III, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

14h x 11w in

KM012

Karen Margolis ,

Karen Margolis

The Way is a Void II, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

14h x 22w in

KM013

Karen Margolis ,

Karen Margolis

Slump, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 36w in

KM014

Karen Margolis ,

Karen Margolis

Separation Anxiety, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 36w in

KM015

Karen Margolis ,

Karen Margolis

Combustion, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

48h x 36w in

KM016

Karen Margolis ,

Karen Margolis

Xanthic, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

24h x 18w in

KM017

Karen Margolis ,

Karen Margolis

Big Bear, 2019

Watercolor, Gouache, Thread, Map Fragments on Abaca

14h x 11w in

KM018

Foley Gallery is pleased to present “in the precipice”, a solo exhibition featuring new work by New York City based artist Karen Margolis. This will be the artist’s first solo exhibition with the gallery.

“in the precipice” references an approaching transition, nearing a threshold between mindfulness and the yearning to escape into an abyss of fantasy or delusion.  Margolis encodes her thoughts and feelings into colored dots as a means of plotting out the changing landscape of her emotions.  Translating meaning into pattern, she offers a glimpse into the ephemeral nature of the mind's operations.

After scribbling themes from her writings onto the forms, Margolis refers to a Flow Chart she devised, which assigns every emotion a Pantone reproducible color, and translates her feelings into colored dots directly onto the composition.  At this point, her process transitions into choreographing color mergers. The new works in “in the precipice” continue to use Karen’s flow chart of emotions, but have evolved into more interpretive narratives, relying as much on texture and form as on color to convey meaning, albeit, encoded.  This work was developed more instinctually and extemporaneously, mostly unmediated by cogitation.  

Karen Margolis graduated with a BS in Psychology from Colorado State University and studied at the School of Visual Arts, New York. She is a recipient of the Pollock-Krasner Foundation Grant (1999) and a recent commission by the Metropolitan Transit Authority to create a site-specific mosaic for a New York City subway station. Margolis participated in the 2016 Paper Biennial at the Rijswijk Museum, The Hague, Netherlands, and has exhibited at galleries and institutions including Garis & Hahn, New York; Muriel Guepin, New York; and Bridgewater University, Bridgewater, MA. Karen’s work is currently in a traveling show “cut up/cut out,” which will be featured in regional museums around the country. Her work is included in public and private collections in the US and abroad. 

“in the precipice” is on view through November 17th, 2019. Foley Gallery is open Wednesday through Saturday, 11 – 5:30pm and Sunday from 12-5pm. To request images; please contact the gallery at info@foleygallery.com.